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Even its name badge is the same and the only way to tell them apart from the outside is to check the model name on the sticker on the battery compartment cover. Unlike the X-T4 above it in Fuji’s line-up, but like the X-T3, the X-T30 II doesn’t have image stabilisation built in.Įxternally, the Fujifilm X-T30 II is identical to the X-T30. There’s also F-Log recording, and the flat Eterna Film Simulation for capturing video that’s suited to grading.Īside for the additional two Film Simulation modes, the only difference between the X-T30 II and the X-T30 with regard to video is that the newer camera can record 4K video for up to 30minutes at a time whereas the X-T30 is limited to 20 minutes. When an external recorder is connected to the X-T30 II’s HDMI port, video can be recorded with 4:2:2 10-bit colour, however, when it’s recorded internally to an SD card, the output drops to 4:2:0 8-bit. At this resolution the maximum frame rate is 30p, but dropping to Full-HD resolution enables footage to be recorded at up to 120fps. When set to record 4K video in either 17:9 or 16:9 aspect ratio, the X-T30 II captures at 6K and then downsamples to 4K (4096 x 2160 or 3840 x 2160 respectively). Switching to the mechanical shutter gives a maximum shooting rate of 8fps for up to 90 Jpegs or 18 raw files. This means that the image resolution drops to 16Mp.Īlternatively, the X-T30 II can shoot full-resolution images at 20fps for up to 53 Jpegs or 17 raw files when the electronic shutter is in action. Achieving this rate requires the electronic shutter to be activated via the menu and there’s a 1.25x crop applied to the image.
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Like the X-T30, the X-T30 II has a maximum continuous shooting rate of 30fps (frames per second). It also has controls to adjust the Clarity, Tone Curve and Monochromatic Color while the Auto White Balance can be set to White Priority and Ambience Priority, and there’s the Color Chrome FX Blue option to enhance blue subjects. The X-T30 II also gains the relatively recently introduced Classic Neg and Eterna Bleach Bypass Film Simulation modes, taking its total count to 18. In addition, the Face/Eye detection is said to be more reliable, but it’s still only capable of detecting human faces and eyes.
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As such, when the Fujifilm XF50mm f1.0 R WR lens mounted, the X-T30 II’s AF system is sensitive down to -7.0EV rather than -3EV with the X-T30. The enhanced autofocus algorithms seen on the X-T4, for example, have been rolled out to the X-T30 II to make its intelligent hybrid autofocus system faster and more sensitive in low light. However, there’s a host of firmware and algorithm improvements that make the newer camera better than the original.
#NIKON CAMERA CONTROL PRO 2 SUPPORT UPGRADE#
The Fujifilm X-T30 II only makes one physical upgrade on the X-T30, that’s a switch from a 1.04-million-dot screen on its back to a 1.62-million dot screen.